1) ECLECTICISM - a wide range of influences, contributions and techniques
Eclecticism shines through the varied characters they portray and the range of musical styles they adopt. Put simply: you never know what you are going to get.
2) INTERTEXTUALITY - an author's borrowing and transformation of a prior text
Parallels are regularly made between the Boosh, Monty Python, Spaced, The Goodies and The League of Gentlemen with their individual brands of surrealist humour and sporadic happenings.
3) PARODY - a humorous or satirical imitation of a text
The Boosh is scattered with parodies from the generic (see Mutants for a take on the Sci-Fi, Horror genres), musical (see hard rock parodied in Bollo's Monkey Hell) or textual (see 'The Nightmare of Milky Joe' for a take on Castaway).
4) BRICOLAGE - A technique where works are constructed from various materials available
Mighty Boosh can be viewed as a bricolage of many already tried-and-tested formulas but does this make it less original?
5) ACTS AGAINST MODERNISM - Postmodernism... - Postmodernism acts against reason, orthodoxy and logic to bring us a text that is rich with surrealism and unpredictability
A talking gorilla, a Mexican jazz-fusion guitarist with a door in his afro, a man made of cheese- a celebration of the medium of television that allows the Boosh to pick and choose from a history of tried-and-tested formulas.
6)NOSTALGIC- Celebrates the past and bathes in its glory
7) NARCISSISTIC- Fascination with oneself; excessive self-love; vanity
Evident in the character of Vince Noir who has a fascination with his appearance and a burning passion to become a front man (his idol being Mick Jagger)
...it's the combination of narcissism and nihilism that defines postmodernism
8) AN ACTIVE AUDIENCE -
In this unpredictable, surreal and unreasoning postmodernist world, the audience has no choice but to be an active and aware participant ready to follow whatever twist and turn the text decides to take.
9) HYPER-CONCIOUS - Aware of itself
The Boosh team cleverly use this at the beginning of each episode with Vince and Howard standing in front of stage curtains introducing the show with direct references as to what to look out for. In their live show, postmodernist mix of stand-up, improvisational and theatrical styles.
The Mighty Boosh provides us with an effective framework for postmodernism deconstruction and is bursting with its characteristics from the music, costumes, characters, design, mise-en-scene and dialogue. It provides its active audience with a contemporary variety show that is all knowing, highly aware and above all, a celebration of the medium of television.
